Easily integrate with your existing gear through a host of connections, including:.Work with your favorite creative tools, including Media Composer, DaVinci Resolve, Final Cut Pro, and Premiere Pro ( see all compatible software).Edit faster and more efficiently with onboard hardware processing, which provides real-time or accelerated media encoding, decoding, color conversion, up conversion, down conversion, and cross conversion.Capture and monitor a wide range of video formats-including SD, HD, Ultra HD, 2K, and 4K-at up to 60 frames per second.The DNxIO can either be purchased as a stand alone interface, or bundled with Avid Media Composer (with a perpetual or two year license), and since it’s built with Blackmagic hardware, I’d hazzard a guess that it works best with live video signals from cameras like the Blackmagic 4K Studio Camera (though it is compatible with Adobe Creative Cloud apps like After Effects and Premiere, as well as Blackmagic’s DaVinci Resolve). – ĭeveloped with hardware from Blackmagic Design, the Avid® Artist | DNxIO, is designed to allow users to capture and output 4K video in the highest possible image quality. And because the interface, which includes hardware by Blackmagic Design, is designed to be open and flexible, you can use it with Avid and other creative tools too. Available as standalone hardware or bundled with industry-standard Media Composer software, Artist | DNxIO enables you to capture, monitor, and output media quickly-in the highest quality possible. So how did Hollywood editors edit in Avid and then export in 4K? I'm assuming they transcoded into 1080p Avid and then exported against their source material.In spite of Avid’s financial woes, they continue to innovate and have announced a new 4K post production interface that promises not only to streamline your 4K workflow, but future proof it beyond ultra high definition.Īvid Artist | DNxIO is a powerful, professional video I/O interface designed to simplify and accelerate your entire HD, Ultra HD, 2K, and 4K workflow. So how does this work? Before Media Composer 8.3 there was no support for 4K or UHD video. This would be great because all the edits would continue to be in Red Raw and there wouldn't be any compression. If I transcode aren't I losing the RAW video quality? What I'd really prefer is if I could transcode the video, edit with the transcoded material, and then export the project using ALL the effects I applied but instead of using the transcoded video it would instead use my source material. So basically what you're supposed to do is transcode your source material into Avid's format so that you can edit more efficiently. Now I know from experimentation that if I edit with my source material in Avid that the program will run very slow. So let's say that my source material is RED Raw Footage, or perhaps something already compressed like an MP4. Instead my question relates to transcoded material and how it'll link against the original source material. So first off I'd like to say that I've researched it and have read other threads on this forum regarding the differences. However one new thing that comes up that has me a *little* bit confused is AMA linking and Avid transcoding. So I'm basically brand new to Avid Media Composer 8.3 and so far I love everything about the workflow.
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